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When a small bell rang and Don joined in the chants of ‘om’, his wry smile hinted of – to me at least – a sense of contentment that had eluded him since we joined the show in 1960. The events of the previous episodes suggested a metamorphosis. My instant reaction (which I’m sticking with) was that Don Draper – a man unable to change and escape his past – finally did so. A new you.”) Don smiled, coyly perhaps, and we cut to the famous 1971 Coke ad, I’d Like To Buy The World A Coke, also known as Hilltop. A guru spoke a mantra which read like modern advertising copy (“The new day brings new hope. We left the Mad Men universe with Don, moving from a group therapy session in which a man named Leonard told him about a dream of being left unwanted in a fridge, to Draper meditating on the cliffs of Big Sur. So it was almost inevitable that however Mad Men ended – unless it had concluded with Don jumping to his death through his office window – the final scenes would provoke instant squabbling. Mad Men creator Matthew Weiner was one of the key writers on The Sopranos, whose final scene, a sharp cut to black at Holsten’s diner, is still endlessly debated. Spoiler alert: this article discusses the final episode of Mad Men in detail.